Art Meets Art: Camelot

Camelot
Shakespeare Theatre Company
May 24, 2018

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Art Meets Art: Black Violin

Black Violin with the National Symphony Orchestra
April 5, 2018
The Kennedy Center

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Retreating

I spent the weekend in paradise.

Well. My version of paradise, despite the cool torrents of rain sweeping through for the fifth day in a row, or the Virginia humidity the day after, rising up from the lush, textured, tops of trees that hid the flowing James River.

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[Presentation] Multidisciplinary Storytelling in a Digital World

How do you tell the history of a place throughout time that seamlessly integrates other forms of expression?

We can tell the basic story of the past — the who, what, when, where, and why, but how can we account for a story where human expression and connections to those events become as important as the events being described. Equally critical —  are the digital tools, and methods we can use to communicate these ideas in our work to tell the full American story.

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Exterior of the Colosseum | Credit: Priya Chhaya

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2018. Just Be.

Today is February 20, 2018. Hello world.

I wish I had a great excuse. A reason why this post (that no one is really looking for but me) is only going up today.

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A piece from Adrian Villar Rojas The Theatre of the Disappearance at the Metropolitan Museum of Art in New York City. Taken on a hot summer day in the middle of 2017, the roof was filled with energy, but the sculpture brought a sense of peace and in some ways defeat. | Credit: Priya Chhaya

There are a lot of good reasons to put the blame on. On being too busy. On the state of the world. On the unexpected. On letting fear of change effect the way I feel, think, act. On a surprising lack of will power. On procrastination. On having nothing to say.

That’s all a lie.
But also all true.

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Fracture: The Last Jedi

We’ve seen it before. “Punch it Chewie,” “No! We’re not interested in the hyperdrive on the Millenium Falcon, it’s fixed!,” the need for a hyperspace generator from Watto. Hyperspace. Lightspeed. It’s essential in nature, a basic concept allowing (or failing to allow) our travelers in a galaxy far, far, away to reach, depart, and journey to new destinations and worlds of wonder.

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Credit: StarWars.com

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Unexpected: The Last Jedi

Spoilers ahead.

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Credit: StarWars.com

I wasn’t sure how I felt about The Last Jedi until fifteen minutes in the middle of the film.

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Herculaneum & Pompeii: Fingerprints on the Earth

Everyone had warned us. Bring a hat. Bring an umbrella. Drink water.

You will sweat.

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One of the many side streets in Pompeii.  | Credit: Priya Chhaya

Day two into thirty-three days of inspiration I faced dehydration and a persistent fight against bouts of jet lag induced exhaustion to fulfill a dream. On day two I visited the excavations at Herculaneum and Pompeii where the heat shimmered before me, an undulating, endless wave of haze. I could almost touch the air as it moved, and when the heat overwhelmed and I struggled to breathe, water always saved the day.  Despite all this, where my body rebelled against exterior influences begging for the air-conditioning and fans, my mind was filled with exhilaration .  Continue reading “Herculaneum & Pompeii: Fingerprints on the Earth”

The Revolution Will Not Be Televised: Soul of a Nation at the Tate Modern

There will be no pictures of pigs shooting down
Brothers in the instant replay
There will be no pictures of young being
Run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of
Roy Wilkens strolling through Watts in a red, black and
Green liberation jumpsuit that he had been saving
For just the right occasion
Green Acres, The Beverly Hillbillies, and
Hooterville Junction will no longer be so damned relevant
and Women will not care if Dick finally gets down with
Jane on Search for Tomorrow because Black people
will be in the street looking for a brighter day

The revolution will not be televised

—from The Revolution will not be Televised by Gil Scott-Heron

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Black Unity, Elizabeth Catlett. This wooden sculpture shaped into the hand gesture of the Black Power movement, can be found in Soul of a Nation, an exhibition I attended at the Tate Modern in London. The back of the sculpture is a relief of two faces. You can find it in the section entitled “Figuring Black Power.”

During my travels abroad this summer I tried to keep an eye out for examples of multidisciplinary storytelling. Near the end of my trip I visited the Tate Modern in London and attended an exhibition about art during the Black Power movement. A short review would simply say that Soul of a Nation is stunning, not only because of the way in which the exhibition mixes print, sculpture, and photography to show the visual culture of the movement’s history, but also how artists illustrated emotion and meaning through their work.

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One Foot in Front of the Other: Defining Terms

In my book, The Heart of the River, I wrote that “every adventure starts the same way, with one foot in front of the other.” After averaging 7 miles (14k steps) a day for the last month, I can testify that I embraced my adventure through formal/informal theatrical performances, walking tours, museum visits, historic site wanderings and so, much, more. It wasn’t merely the steps that made a leap forward, but also my mind as I started to pull on different threads of my project on storytelling, trying to find the ways in which these pieces fit and slotted together.

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Images in this post represent the different ways you could tell the story of my trip to Italy. This first image is the ceiling of the Dumo di Siena in Tuscany.

As a reminder here are the four research questions that I presented a few months ago:

  1. What are the ways in which history and culture are being presented in an increasingly digital world?
  2. In what ways do digital projects dealing with art, music, and the past connect with the public beyond a momentary impression?
  3. What are some of the innovative ways in which the arts and history intersect to tell a narrative – both offline and online? How can we create a more fully immersive experience for the user?
  4. How do various historical presentations and cultural mechanisms relate and effect individual and collective identity?

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