2024: Breath & Balance

If there is one thing I have learned about myself in 2023, it is this: change takes time. It is easy to tell yourself that you are ready to refocus your life and build an expectation for those shifts to happen overnight. It is just as easy to fall back into old habits and get caught up in the least important things, forgetting to breathe, or to strive for the balance necessary for well-being.

A woman sitting cross legged on the ground looking out over the waters in Acadia
Priya looking out over the waters from Cadillac Mountain at Acadia National Park in August 2023.

Last January, my intention was clear, 2023 was going to be the year of service. I volunteered for the Posse Foundation, I took photographs at an event for 826DC, I stood as a poll greeter for primaries and the general elections, I continued my committee and board service to the National Council on Public History, and I threw myself into the hyperlocal service that comes from being the chair of my building’s activities committee. All were rewarding in their own way, but it became apparent that there was an imbalance, and the volume of expectations I had put on myself was not sustainable.

2023 was also about standing adjacent to grief.

From January to December, I watched friends and family struggle with profound losses of parents, siblings, grandparents, and friends. While I couldn’t always help, I sent them love, acknowledged their sadness, and was present when needed. Then, as the world faced and continues to face escalating global conflicts, I remembered the words of activist and faith leader Valerie Kaur who said, “Seeing no stranger begins in wonder. It is to look upon the face of anyone and choose to say: You are a part of me I do not yet know,” and so their grief, became my grief. Their loss, my loss.

But I needed a reminder to breathe, to balance the fear, the sadness, and the weight of grief, with the privilege of joy.

That joy, came from precious—in person, lest we take it for granted—time with my family, my friends, and my circles of community. In February, I traveled to India to sit with and be with my aunts, uncles, cousins, and my sole remaining grandmother. It was two weeks of unscheduled time for conversation, for gathering, for feeling, and for love.

Images Clockwise: My favorite sandwich shop in Mumbai, a street view in Pondicherry, a sunrise in Pondicherry.

Back in the United States, my immediate family and I gathered in San Francisco, New Jersey, and New York City—culminating in an epic 80th birthday party for my father at the end of the year.

In the spring I spent time with my public history colleagues in Atlanta for the first time since 2019, reinvigorating my mind as well as my soul.

I took road trips to Longwood Gardens and returned to Williamsburg to see old friends as my advisor took a well earned retirement. At home, I attended plays and concerts, visited museums, and had meals with people who reminded me of all the good and kindness that still exists amidst the sorrow.

A glimpse of Beyond the Light at ARTECHOUSE. This installation used images from NASA to create a visual journey through space.

There were intertwined in all of this, personal moments of celebration. I finished my second children’s book From the Stars to the Moona love letter for my niece the emphasized the importance of laughter. I attended my first book fair. I found comfort in watercolor painting, and I wrote 50,000 words for a novel that I hope pushes some promises I made over a year ago forward.

I became, as my friend and I joked, a farmer. As we worked on our community garden plot, I learned the patience and care that comes with stepping away from screens and tending the soil.

These people, these personal joys, were the breath that brought the balance.


It was a year filled with both sadness and laughter. My hope for a 2024 that is filled in equal measure with (the expected) difficulty and sought for light. I know that prioritizing both breath and balance will be necessary to make it through.

Pivot Point

I stand at the center. One foot
Planted firmly on one side of the board,
While the other is raised waiting to shift the scales.
My heart races forward, as I
Lower my leg, bearing down weight,
And we change shape—
From a diagonal to parallel to the ground—
An arc that we hope will come around.
Even as the future feels lost,
Not found.

I stand at the center, still. Both feet
Planted, a triangle that cannot be ignored.
The air that fills my lungs brings clarity,
Even as we stand at the edge of a
Singularity.
A black hole from which reality
Ignores the laws of gravity.
The air that leaves my lungs
Creates uncertainty,
A wobble, a catch—but not all is lost.
I shift and adjust. I lean forward, and then
Breathe in again.

As always below is my list of things I read, experienced, and wrote in 2023.

Priya with friends (and flowers). Clockwise from top left with AY at ARTECHOUSE’s Beyond the Light, with a remarkable group of friends and historians at NCPH’s annual meeting in Atlanta, with my college advisor James P. Whittenburg at his retirement with fellow “Whittenburg History Kids” Melissa and Julia, and a self portrait at Longwood Gardens.

Continue reading “2024: Breath & Balance”

Stumbling Stones

In late September 2022, I followed my best friend and her two children through the streets of Möhringen in Stuttgart on a bicycle. As I struggled to stay straight and round corners, I was cognizant of the two children before me weaving in and out of those same street with an adeptness I did not feel. 

You see, memory is an interesting thing. Sometimes you know exactly where you first learned a lesson, and it feels like it should be settled in your mind, something that you retain forever. After all, something that is easy to remember is “just like riding a bike.”

They neglect to say that even though you remember the lesson, there remains a level of vulnerability, where the fear of falling that first held you back returns to trip you up. 

This vacation was a year in the making. Preceded by a week in Greece with one of my oldest friends, I decided to take an additional seven days to explore Germany, visit her family, attend an Ed Sheeran concert, and close it out by experiencing Oktoberfest.

A row of threes lining the horizon with blue skies and a green lawn.
A view of the landscape in Germany on the way back from the Ritter Sport factory/museum.

From the start of the trip, however, things did not go as planned. I had hoped for some serendipity along with some solo traveling, but unexpected news on my second day from home left me uncertain. By the time I reached Germany (with its fall-like temperatures so very different from the warmth of Greece) I resisted all adventure and chose to stay close, attending soccer practice for the kids, and watching Ted Lasso as a distraction. 

However, even with all the changes, there was one thing I wanted to make sure to do. Something that I considered foundational to my work as a public historian and how I first began thinking about how we memorialize the past.  

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2023: Be in Service. Be Useful. Do Good.

Last year I made a clear choice about how I wanted to approach 2022. I wanted to live. Live without overthinking, live without feeling scared, live without taking a (reasonable) risk.  And so I traveled, I celebrated turning forty, I made some big decisions about what I wanted out of my life going forward. I had some unexpected experiences that forced me to adapt, change, and approach relationships and the status quo in a different way. I wrote 50,000 words for a novel I continue to dream about. And while I wasn’t always successful I realized that it was all right to take the unexpected path to reach my destination.

A view of one of the monasteries at Meteora in Greece. This was not on our original itinerary, but at the last minute we booked a tour with a local tour guide. One of the best decisions we ever made.

However, within all that self-reflection and acceptance, there was one thing missing. When I started working with a coach in January 2022 we talked about what I wanted next for my life. Some of it was talking about what I did not want, while other goals were more specific.

But what was a clear through line on the other side of the equation was a desire to be of service to others. And while I know that as a volunteer board member for the National Council on Public History I serve our members and the field, that work is still, in essence, tied to the way I have shaped my life around my profession.

I want that to change.

Continue reading “2023: Be in Service. Be Useful. Do Good.”

Touching Transcendence, Transforming to Joy

sublime /səˈblīm/: tending to inspire awe usually because of elevated quality (as of beauty, nobility, or grandeur) or transcendent excellence. [Merriam-Webster]

There’s a video of me in 2018 walking along the edge of the Grand Canyon in Nevada and I can not stop laughing. I sound almost giddy, with uncontrollable giggles accompanied by a lot of exclamatory, somewhat coherent phrases.

I do not know if that is everyone’s reaction to seeing the glory of this natural wonder, but I can attest that at that moment, I truly understood the meaning of the sublime.  

A view of the Grand Canyon where you can see how far it extends and the stratigraphy along its walls.
A photo of the Grand Canyon does not do it justice. It is only after standing before its magnificent splendor that I felt the power it evokes to all who behold is massive existence.

Continue reading “Touching Transcendence, Transforming to Joy”

Retreating

I spent the weekend in paradise.

Well. My version of paradise, despite the cool torrents of rain sweeping through for the fifth day in a row, or the Virginia humidity the day after, rising up from the lush, textured, tops of trees that hid the flowing James River.

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[Presentation] Multidisciplinary Storytelling in a Digital World

How do you tell the history of a place throughout time that seamlessly integrates other forms of expression?

We can tell the basic story of the past — the who, what, when, where, and why, but how can we account for a story where human expression and connections to those events become as important as the events being described. Equally critical —  are the digital tools, and methods we can use to communicate these ideas in our work to tell the full American story.

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Exterior of the Colosseum | Credit: Priya Chhaya

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2018. Just Be.

Today is February 20, 2018. Hello world.

I wish I had a great excuse. A reason why this post (that no one is really looking for but me) is only going up today.

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A piece from Adrian Villar Rojas The Theatre of the Disappearance at the Metropolitan Museum of Art in New York City. Taken on a hot summer day in the middle of 2017, the roof was filled with energy, but the sculpture brought a sense of peace and in some ways defeat. | Credit: Priya Chhaya

There are a lot of good reasons to put the blame on. On being too busy. On the state of the world. On the unexpected. On letting fear of change effect the way I feel, think, act. On a surprising lack of will power. On procrastination. On having nothing to say.

That’s all a lie.
But also all true.

Continue reading “2018. Just Be.”

Herculaneum & Pompeii: Fingerprints on the Earth

Everyone had warned us. Bring a hat. Bring an umbrella. Drink water.

You will sweat.

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One of the many side streets in Pompeii.  | Credit: Priya Chhaya

Day two into thirty-three days of inspiration I faced dehydration and a persistent fight against bouts of jet lag induced exhaustion to fulfill a dream. On day two I visited the excavations at Herculaneum and Pompeii where the heat shimmered before me, an undulating, endless wave of haze. I could almost touch the air as it moved, and when the heat overwhelmed and I struggled to breathe, water always saved the day.  Despite all this, where my body rebelled against exterior influences begging for the air-conditioning and fans, my mind was filled with exhilaration .  Continue reading “Herculaneum & Pompeii: Fingerprints on the Earth”

The Revolution Will Not Be Televised: Soul of a Nation at the Tate Modern

There will be no pictures of pigs shooting down
Brothers in the instant replay
There will be no pictures of young being
Run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of
Roy Wilkens strolling through Watts in a red, black and
Green liberation jumpsuit that he had been saving
For just the right occasion
Green Acres, The Beverly Hillbillies, and
Hooterville Junction will no longer be so damned relevant
and Women will not care if Dick finally gets down with
Jane on Search for Tomorrow because Black people
will be in the street looking for a brighter day

The revolution will not be televised

—from The Revolution will not be Televised by Gil Scott-Heron

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Black Unity, Elizabeth Catlett. This wooden sculpture shaped into the hand gesture of the Black Power movement, can be found in Soul of a Nation, an exhibition I attended at the Tate Modern in London. The back of the sculpture is a relief of two faces. You can find it in the section entitled “Figuring Black Power.”

During my travels abroad this summer I tried to keep an eye out for examples of multidisciplinary storytelling. Near the end of my trip I visited the Tate Modern in London and attended an exhibition about art during the Black Power movement. A short review would simply say that Soul of a Nation is stunning, not only because of the way in which the exhibition mixes print, sculpture, and photography to show the visual culture of the movement’s history, but also how artists illustrated emotion and meaning through their work.

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One Foot in Front of the Other: Defining Terms

In my book, The Heart of the River, I wrote that “every adventure starts the same way, with one foot in front of the other.” After averaging 7 miles (14k steps) a day for the last month, I can testify that I embraced my adventure through formal/informal theatrical performances, walking tours, museum visits, historic site wanderings and so, much, more. It wasn’t merely the steps that made a leap forward, but also my mind as I started to pull on different threads of my project on storytelling, trying to find the ways in which these pieces fit and slotted together.

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Images in this post represent the different ways you could tell the story of my trip to Italy. This first image is the ceiling of the Dumo di Siena in Tuscany.

As a reminder here are the four research questions that I presented a few months ago:

  1. What are the ways in which history and culture are being presented in an increasingly digital world?
  2. In what ways do digital projects dealing with art, music, and the past connect with the public beyond a momentary impression?
  3. What are some of the innovative ways in which the arts and history intersect to tell a narrative – both offline and online? How can we create a more fully immersive experience for the user?
  4. How do various historical presentations and cultural mechanisms relate and effect individual and collective identity?

Continue reading “One Foot in Front of the Other: Defining Terms”