Art Meets Art: Marking the Infinite

Marking the Infinite
June 7, 2018
The Phillips Collection

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Zoomed in image of Regina Pilawuk Wilson’s Sun Mat (2015). Taken June 2018 by Priya Chhaya

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Art Meets Art: No Spectators

No Spectators
August 8, 2018
Renwick Gallery

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View of one of the installations at No Spectators: The Art of Burning Man at the Renwick Gallery.

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Art Meets Art: Wait Wait… Don’t Tell Me

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At the entrance to Wolf Trap National Park for the Performing Arts is a blackboard that allows visitors to write down their innermost thoughts about the upcoming performance. Here was mine.

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On Doorways and the Love of Libraries

At the start of the sixth annual Tolkien Lecture on Fantasy Literature author V.E. Schwab described how a co-panelist stated that J.R.R. Tolkien’s novels were required reading for anyone venturing into the world of fantasy – both as a writer and a reader. In response Schwab,

…told the man on the panel I had never read Tolkien, and he looked at me not with derision exactly, but with such open astonishment, as if wondering how I found my way into that chair, onto that panel, into the building, onto the pages of books, without him. And I simply said, “I found another door.”

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My librarian mom, retired! | Credit: Priya Chhaya

That simple statement has been tumbling about my head for a number of days as I tried to remember what served as my entree into the world of books and reading. I knew what pushed me towards the fantasy genre, but there was no singular book that made me realize that I valued and loved the written word.

However, even though the actual door was a long-faded memory, I will never forget the architect: my mother.  Continue reading “On Doorways and the Love of Libraries”

Retreating

I spent the weekend in paradise.

Well. My version of paradise, despite the cool torrents of rain sweeping through for the fifth day in a row, or the Virginia humidity the day after, rising up from the lush, textured, tops of trees that hid the flowing James River.

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[Presentation] Multidisciplinary Storytelling in a Digital World

How do you tell the history of a place throughout time that seamlessly integrates other forms of expression?

We can tell the basic story of the past — the who, what, when, where, and why, but how can we account for a story where human expression and connections to those events become as important as the events being described. Equally critical —  are the digital tools, and methods we can use to communicate these ideas in our work to tell the full American story.

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Exterior of the Colosseum | Credit: Priya Chhaya

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2018. Just Be.

Today is February 20, 2018. Hello world.

I wish I had a great excuse. A reason why this post (that no one is really looking for but me) is only going up today.

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A piece from Adrian Villar Rojas The Theatre of the Disappearance at the Metropolitan Museum of Art in New York City. Taken on a hot summer day in the middle of 2017, the roof was filled with energy, but the sculpture brought a sense of peace and in some ways defeat. | Credit: Priya Chhaya

There are a lot of good reasons to put the blame on. On being too busy. On the state of the world. On the unexpected. On letting fear of change effect the way I feel, think, act. On a surprising lack of will power. On procrastination. On having nothing to say.

That’s all a lie.
But also all true.

Continue reading “2018. Just Be.”