2024: Breath & Balance

If there is one thing I have learned about myself in 2023, it is this: change takes time. It is easy to tell yourself that you are ready to refocus your life and build an expectation for those shifts to happen overnight. It is just as easy to fall back into old habits and get caught up in the least important things, forgetting to breathe, or to strive for the balance necessary for well-being.

A woman sitting cross legged on the ground looking out over the waters in Acadia
Priya looking out over the waters from Cadillac Mountain at Acadia National Park in August 2023.

Last January, my intention was clear, 2023 was going to be the year of service. I volunteered for the Posse Foundation, I took photographs at an event for 826DC, I stood as a poll greeter for primaries and the general elections, I continued my committee and board service to the National Council on Public History, and I threw myself into the hyperlocal service that comes from being the chair of my building’s activities committee. All were rewarding in their own way, but it became apparent that there was an imbalance, and the volume of expectations I had put on myself was not sustainable.

2023 was also about standing adjacent to grief.

From January to December, I watched friends and family struggle with profound losses of parents, siblings, grandparents, and friends. While I couldn’t always help, I sent them love, acknowledged their sadness, and was present when needed. Then, as the world faced and continues to face escalating global conflicts, I remembered the words of activist and faith leader Valerie Kaur who said, “Seeing no stranger begins in wonder. It is to look upon the face of anyone and choose to say: You are a part of me I do not yet know,” and so their grief, became my grief. Their loss, my loss.

But I needed a reminder to breathe, to balance the fear, the sadness, and the weight of grief, with the privilege of joy.

That joy, came from precious—in person, lest we take it for granted—time with my family, my friends, and my circles of community. In February, I traveled to India to sit with and be with my aunts, uncles, cousins, and my sole remaining grandmother. It was two weeks of unscheduled time for conversation, for gathering, for feeling, and for love.

Images Clockwise: My favorite sandwich shop in Mumbai, a street view in Pondicherry, a sunrise in Pondicherry.

Back in the United States, my immediate family and I gathered in San Francisco, New Jersey, and New York City—culminating in an epic 80th birthday party for my father at the end of the year.

In the spring I spent time with my public history colleagues in Atlanta for the first time since 2019, reinvigorating my mind as well as my soul.

I took road trips to Longwood Gardens and returned to Williamsburg to see old friends as my advisor took a well earned retirement. At home, I attended plays and concerts, visited museums, and had meals with people who reminded me of all the good and kindness that still exists amidst the sorrow.

A glimpse of Beyond the Light at ARTECHOUSE. This installation used images from NASA to create a visual journey through space.

There were intertwined in all of this, personal moments of celebration. I finished my second children’s book From the Stars to the Moona love letter for my niece the emphasized the importance of laughter. I attended my first book fair. I found comfort in watercolor painting, and I wrote 50,000 words for a novel that I hope pushes some promises I made over a year ago forward.

I became, as my friend and I joked, a farmer. As we worked on our community garden plot, I learned the patience and care that comes with stepping away from screens and tending the soil.

These people, these personal joys, were the breath that brought the balance.


It was a year filled with both sadness and laughter. My hope for a 2024 that is filled in equal measure with (the expected) difficulty and sought for light. I know that prioritizing both breath and balance will be necessary to make it through.

Pivot Point

I stand at the center. One foot
Planted firmly on one side of the board,
While the other is raised waiting to shift the scales.
My heart races forward, as I
Lower my leg, bearing down weight,
And we change shape—
From a diagonal to parallel to the ground—
An arc that we hope will come around.
Even as the future feels lost,
Not found.

I stand at the center, still. Both feet
Planted, a triangle that cannot be ignored.
The air that fills my lungs brings clarity,
Even as we stand at the edge of a
Singularity.
A black hole from which reality
Ignores the laws of gravity.
The air that leaves my lungs
Creates uncertainty,
A wobble, a catch—but not all is lost.
I shift and adjust. I lean forward, and then
Breathe in again.

As always below is my list of things I read, experienced, and wrote in 2023.

Priya with friends (and flowers). Clockwise from top left with AY at ARTECHOUSE’s Beyond the Light, with a remarkable group of friends and historians at NCPH’s annual meeting in Atlanta, with my college advisor James P. Whittenburg at his retirement with fellow “Whittenburg History Kids” Melissa and Julia, and a self portrait at Longwood Gardens.

Continue reading “2024: Breath & Balance”

In Translation: Adaptation, Connection, and the Heart of a Story

Last year, as I followed discussions about the new film version of Persuasion, I began thinking about how adaptations are really a form of translation. Instead of moving between languages, adaptation brings a story from one form to another.  

For those doing the translating, it can be a fine balance. On one side there are those who love the original source material, who have built a connection to the story, and the heart of the original narrative. On the other hand, going from one medium to another provides opportunities for new considerations, new ways of creating reflections between story and human emotion. 

Sometimes these adaptations can be incredibly successful. Other times they fall flat for the majority of people, resulting in a wave of consternation that feels deeply personal. And yet, these translations can touch people in different ways depending on the medium through which it is being shared. 

For the purpose of this piece we’re going to look at three different types of adaptation, book to television, myth and oral tradition to visual arts, and book to opera. In each case the translation of the original source material gives us something different to examine, often leading to a renewed sense of wonder.

Glass sculpture by Preston Singletary from Raven and the Box of Daylight at the National Museum of American Indian.
Continue reading “In Translation: Adaptation, Connection, and the Heart of a Story”

2023: Be in Service. Be Useful. Do Good.

Last year I made a clear choice about how I wanted to approach 2022. I wanted to live. Live without overthinking, live without feeling scared, live without taking a (reasonable) risk.  And so I traveled, I celebrated turning forty, I made some big decisions about what I wanted out of my life going forward. I had some unexpected experiences that forced me to adapt, change, and approach relationships and the status quo in a different way. I wrote 50,000 words for a novel I continue to dream about. And while I wasn’t always successful I realized that it was all right to take the unexpected path to reach my destination.

A view of one of the monasteries at Meteora in Greece. This was not on our original itinerary, but at the last minute we booked a tour with a local tour guide. One of the best decisions we ever made.

However, within all that self-reflection and acceptance, there was one thing missing. When I started working with a coach in January 2022 we talked about what I wanted next for my life. Some of it was talking about what I did not want, while other goals were more specific.

But what was a clear through line on the other side of the equation was a desire to be of service to others. And while I know that as a volunteer board member for the National Council on Public History I serve our members and the field, that work is still, in essence, tied to the way I have shaped my life around my profession.

I want that to change.

Continue reading “2023: Be in Service. Be Useful. Do Good.”

There is No Crying in Baseball

About two weeks ago, in the middle of a random Tuesday, I found myself crying. It wasn’t unprovoked, rather, it was in direct response to an unexpected situation that my brain, and my body were not prepared to process.

So, for about ten minutes, I lost it.

During the following hours (now weeks), I thought a lot about those tears, considering how I have been dealing with emotions over the last two and half years. Obviously, the stress and worry of the global pandemic, social uncertainty, and its ramifications have hit all of us in very, very, different ways. While I won’t claim to not have not been a crier before, I will say that it was an emotion not so close to the surface.

Then out of the blue I remembered Tom Hanks in A League of Their Own yelling “There’s no crying in baseball,” at the top of his lungs. While the character is flailing about because the women on his team are upset and he is unable to to deal with it, the sentiment still struck a chord. (Obviously, we know that people cry over sports all the time, but stay with me).

I realized, while the event precipitating the crying was upsetting, I was angrier at myself for losing it over something I was actively trying to be less emotional about. Just as Jimmy Dugan (Hanks’ character) was convinced crying was something you do.not.do. when playing a sport, I fought against a situation where crying also felt taboo.

And then my career coach, Kate (illustrating how well they know me) said—you need to write out your feelings. Which brings us here, to this piece, which ended up being less about me and my mental health, and more about crying, emotional language, and storytelling.

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Why I Write: Beyond Writer’s Block and Toward Meaningful Storytelling

Over the course of a writing retreat this past November I was listening to a MasterClass with the author Amy Tan. While sections of the course were directed to writers that were just getting started, I paid close attention to the lesson focused on writer’s block. 

While 2021 was so much better than 2020—and 2022 even better so far—I still found myself choosing to spend what spare time I had sitting on the couch watching television instead. I know we are not supposed to be hard on ourselves, to be thinking about missed opportunities from this ongoing pandemic— after all, we can’t all be Brandon Sanderson—but I can’t help but consider how much of my real blocks are about more than just the state of the world. 

During this lesson Tan talks about writing rituals, about methods to block out distractions, and then she looks straight at the camera and says: “Ask yourself: Why did you decide to become a writer in the first place?” 

Her purpose, of course, was to encourage us to move past the imposter syndrome that leads into a cycle of NOT writing. To remind you about what the initial impetus was for first putting pen to paper. 

A quotation propped against one of the bookshelves at my writer’s retreat.
Continue reading “Why I Write: Beyond Writer’s Block and Toward Meaningful Storytelling”

2022. Hello Forty.

Over the last ten years I have shared—on or around January 1st—a vision for my future. These have never been ordinary resolutions. Instead I wrote mantras, hopes, and wishes for what I want my life to stand for, what I want it to mean. More often than not I talked about taking risks and leaps, harnessing optimism, searching for kindness, and in some of our tougher years, encouraged myself to dig deep for a well of defiance.

Earlier this week, as I continued to think about how to approach this piece, I saw a suggestion (by an old high school friend) to not look to resolutions, but rather to make a list of things you were proud of in 2021. So here’s my list:

Glittering poles with flowers and greeneries and shoes as witnesses to lives lost.
“Come, Take a Moment” is an installation by Devon Shimoyama meant to encourage visitors to the Arts and Industries Building’s exhibition called The FUTURES to pause and reflect on the “tumult and tragedy brought on by racial violence and the COVID-19 pandemic.”

We all know it wasn’t an easy year, but unlike 2020 it had moments of brightness made possible by the COVID-19 vaccine. I know taking a vaccine is an odd thing to list as an accomplishment, but when belief in our ability as humans to take care of each other feels like a challenge, taking the three shots in 2021 felt like something I could do not only for myself, but for others. More selfishly, taking the vaccine allowed me to hug family, and friends, and to fly across the country to meet my new nephew just days after he was born.

Continue reading “2022. Hello Forty.”

Living with Intention in 2021

Over the course of ten months, from March to December 2020, I walked almost 152 miles listening to podcasts, audio dramas, and 15 books about a female detective named Maisie Dobbs. This series, about a former nurse turned psychologist and investigator who solves crime, is set against the backdrop of post-War (and eventually the start of World War II) England. Through her cases, we learn about repercussions from World War I, the 1918 flu epidemic, social unrest, anti-refugee sentiment, and as Dobbs becomes more involved with British Secret Service, the growing threat of the Nazi regime.

View of woods in Virginia.
A view from a hidden wood near my home. For so many nature brought a level of peace in the madness.

As I walked at sunrise, sunset, lunchtime breaks, and post work wind-downs I couldn’t help feel, as time slowly slipped by, the looming disaster to come. I knew it wasn’t only of the fictional (yet historical) world created by Jacqueline Winspear, but also the constant hum of chaos that was 2020.

There are no real positive things to say about this past year. In a lot of ways our fault lines and the cracks in our civic society have been laid bare for all to see. There was so much death and pain, that I often struggled to find a silver lining.

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2020.

Every January I take a moment to consider the year we left behind with the hopes of taking any lessons and thoughts forward into a clear-eyed vision for how I want to live.

But 2019 was a year of contradiction.

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Just hanging out on the Millennium Falcon next to Darth Vader. No big deal. | Credit: Priya Chhaya

On one hand, I built a track focusing on Celebrating Women’s History at my annual conference, something that included a session that ended up on CSPAN, not to mention a keynote at the glorious Red Rocks Amphitheater in Colorado (see below).  I bought a home. I capped off an almost twenty-three year love of a little space opera by attending Star Wars Celebration in Chicago. I spent time with my amazing, wonderful, caring family with nieces and a nephew that I watch grow with awe.

But it was also a difficult year. Not just because of the state of affairs beyond our control (you know, the world), but also because I was forced to address the balance between realities and my glass-half-full perspective on my daily life. I had to confront my own understanding of what makes me happy and to push myself in a way that was, and continues to be, hard.

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On Cultural Heritage & Loss

Sometimes I feel like my brain is filled with puzzle pieces. Separate and distinct elements that fit together into something bigger, something essential, some larger than life truth that only I can pull together

This latest puzzle has been a tough one to crack. Like any good puzzler I have been looking for the connections. The similar pieces—those with flat edges, or colors that appear to mesh in just the right way.

The elements of the puzzle are widespread. They include the near destruction of the Cathedral of Notre Dame, Susan Orlean’s The Library Book and the damage to swaths of intangible heritage with the Universal Music Group fire, where the masters of a whole range of popular (and lesser known) music were engulfed in a flame. There is an even clearer picture when you toss in elements from Yesterday and the The Band’s Visit into the fray.

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Gargoyle’s look out over Paris from their perch on Notre-Dame in 2013. | Credit: Priya Chhaya

And perhaps all of these are funnels into my reaction to the film The Last Black Man in San Francisco, which collectively summarizes the idea of loss and cultural heritage in a single remarkable package. Continue reading “On Cultural Heritage & Loss”

2019. Begin As You Mean to Go On

This was a year where I saw the endless sky above Montana, smelled the ravages of fire in California, and stood at the edge of the fantastic, sensing and savoring the sublime magnificence of edges along the Grand Canyon.

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At the Grand Canyon. April 2018. | Credit: Priya Chhaya

Continue reading “2019. Begin As You Mean to Go On”