This was a year where I saw the endless sky above Montana, smelled the ravages of fire in California, and stood at the edge of the fantastic, sensing and savoring the sublime magnificence of edges along the Grand Canyon.
At the start of the sixth annual Tolkien Lecture on Fantasy Literature author V.E. Schwab described how a co-panelist stated that J.R.R. Tolkien’s novels were required reading for anyone venturing into the world of fantasy – both as a writer and a reader. In response Schwab,
“…told the man on the panel I had never read Tolkien, and he looked at me not with derision exactly, but with such open astonishment, as if wondering how I found my way into that chair, onto that panel, into the building, onto the pages of books, without him. And I simply said, “I found another door.”
That simple statement has been tumbling about my head for a number of days as I tried to remember what served as my entree into the world of books and reading. I knew what pushed me towards the fantasy genre, but there was no singular book that made me realize that I valued and loved the written word.
However, even though the actual door was a long-faded memory, I will never forget the architect: my mother. Continue reading “On Doorways and the Love of Libraries”
afraid. Folded in by the weight
of postcards and calls
links and 140 characters.
Always thinking about the invisible scales of equality
between the unborn, the refugee, the immigrant, and those not living in privilege.
certain that I have fingers
toes, a heart with blood pumping
slowly through my veins —
as do you,
and us, but those that lead find
different ways to say
You Don’t Belong.
my strength for this
Yet I know that one cannot expect miracles
And God cannot do all the work
And so —
Although I am afraid, I am certain. Although I question, I am ready.
I can be brave. I must be brave. I will be brave.
Whenever I begin writing my annual New Year’s post I take a look at what I wrote the year before. Here is what I said in January 2016:
I’m sure everyone is on the edge of their seats waiting for my annual New Year’s Post.
This isn’t it.
I’m struggling a bit this year – trying to find a way to stay optimistic and see the promise of the future in a world that feels like it’s gone a little bit crazy. And then there was my two-week cold that pretty much demanded a lack of productivity.
All that being said I did one thing in the early part of this month that was interesting and new. As many of you know in January of last year I published a children’s book called The Heart of the River. When I did that I also joined the Society of Children’s Books Writers and Illustrators (SCBWI). It’s a great organization that supports its members by providing resources and marketing through events like the Book Blast (here’s my page which will be live for another week or so).
In the first post of this series I wrote of how the miniseries Roots and Guy Gavriel Kay’s Children of the Earth and Sky tackled a simple question of individual identity amidst displacement – “Who am I?” But there is a second question that both the show and the book addressed that looks beyond the status quo and the present revealing active identity creation. “Who do I want to be?” is a question that is both aspirational and forward looking.
And so two other art/history pieces I experienced this spring – the Smithsonian’s Crosslines and the Folger Shakespeare Library’s District Merchants– demonstrate that not everyone wants or chooses to internalize their heritage in the same way. Rather they make it clear that answering the question “Who do I want to be?” is a combination of conscious and unconscious choices we make in the process of forging identities.
“And he, Marin Djivo, younger son of a merchant? What was his life about? Trade? Clever, profitable dealings? He was from a city state that flourished by letting no one hate them enough to do anything disagreeable. Where you are situated in the world, Marin thinks, digging a grave in a Sauradian meadow, shapes how you act in the world.
Then he amends that thought: It is one of the things that does so. Rasca Tripon and Danica Gradek might frame it differently. Or the old empress living with the Daughters of Jad on Sinan Isle might do so. They are all exiles, he thinks, taken from what they were, where they were.”
–Excerpt from Children of the Earth and Sky by Guy Gavriel Kay (emphasis mine)
For those of you that are fans of musical theatre the title of this piece may prompt you to belt out a singular name. A man whose identity at the moment of questioning had long been obscured by a series of numbers.
In the foreword of the new translation of his book Night Elie Wiesel wrote:
“In retrospect I must confess that I do not know, or no longer know, what I wanted to achieve with my words. I only know that without this testimony, my life as a writer—or my life, period—would not have become what it is: that of a witness who believes he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human memory.”
Like most American teenagers I encountered the words of Elie Wiesel in an English class. The stark white cover, Wiesel’s name in blue lettering, a shadowed image of barbed wire obscuring a singular figure: we were two years from my first visit to the US Holocaust Memorial Museum (of which Wiesel was the founding chairman) and while I knew about the horror in abstraction, this was the first witness testimony I had ever read. Continue reading “Never shall I forget that night: On Elie Wiesel”
Words have power. Fact. We live in an age where anyone can say anything and be believed. An age where fact checking is only reliable if it aligns with your beliefs. Words. Have. Power.
But power to what? To sway, to innovate, to encourage, to bring hope – and in their absence limit important forms of expression necessary for real communication. A few weeks ago two events brought these thoughts to the surface. And while both cases are based in fiction there are real world implications.
This post originally appeared on FANgirl.
In eighth grade science class my friend Tracy slid me a folded piece of notebook paper. Scrawled across the top were the words “Star Wars Expanded Universe and Ratings” or something like that. On this paper she had painstakingly written out the name of each of the books marking each in turn with a series of stars. One for Children of the Jedi. Five for The Last Command. A blueprint for a newly inducted fan.
Soon I found myself devouring each book as it came along. Wanting to stay current, and let’s be honest, to know everything. In 1995, the internet was in its infancy, and my sphere of conversation on this topic was limited. But, boy, did I read.
I read regularly until the end of the New Jedi Order. Then things took a turn towards darkness. bugs, strange adventures, twisted Solo children. So I moved on, returning occasionally for a book by Timothy Zahn and to read about Mara’s demise firsthand. I felt like I owed it to her to read about her death, to pay my last respects.
Despite all this the internet kept me informed and it was enough. A single toe in a larger pond.
Let’s get this out of the way: I am hopeful. Cautiously optimistic. Filled with anticipation. Even thrilled now that we have three films in three years.
Seriously all — ROGUE ONE. Even if it isn’t linked to Michael Stackpole/Aaron Allston, the idea alone… Whew.
Then there was a notice about the new books, including a blurb about Star Wars: Aftermath, and there it was: an unexpected twinge next to my heart, a sudden moment of loss.
WHAT HAPPENED AFTER ENDOR? FIND OUT IN STAR WARS: AFTERMATH Continue reading “A Twinge of Loss. The Aftermath of the Star Wars Expanded Universe”
This is the second of two posts on epic storytelling. You can find the first here.
I have a theory about why we are attracted to epic storytelling. It’s all about the history. However, for many that past is not our past, but rather history created in the minds and imaginations of writers around the world.
For an example we should look no further than the incredible popularity of Game of Thrones. A medieval fantasy filled with political jockeying, power struggles, zombie like ice walkers, and dragons. A story nerds have been following long before it ever hit the small screen. Now others are discovering the show and going back to read the novels and get more out of this world that George R.R.Martin created.
Why? because the power, the love, the danger all speak to something within us. A subliminal ping that we recognize as familiar. A sense of history. Continue reading “Epic Storytelling: Fantasy, Magic, Honor, Truth”