2024: Breath & Balance

If there is one thing I have learned about myself in 2023, it is this: change takes time. It is easy to tell yourself that you are ready to refocus your life and build an expectation for those shifts to happen overnight. It is just as easy to fall back into old habits and get caught up in the least important things, forgetting to breathe, or to strive for the balance necessary for well-being.

A woman sitting cross legged on the ground looking out over the waters in Acadia
Priya looking out over the waters from Cadillac Mountain at Acadia National Park in August 2023.

Last January, my intention was clear, 2023 was going to be the year of service. I volunteered for the Posse Foundation, I took photographs at an event for 826DC, I stood as a poll greeter for primaries and the general elections, I continued my committee and board service to the National Council on Public History, and I threw myself into the hyperlocal service that comes from being the chair of my building’s activities committee. All were rewarding in their own way, but it became apparent that there was an imbalance, and the volume of expectations I had put on myself was not sustainable.

2023 was also about standing adjacent to grief.

From January to December, I watched friends and family struggle with profound losses of parents, siblings, grandparents, and friends. While I couldn’t always help, I sent them love, acknowledged their sadness, and was present when needed. Then, as the world faced and continues to face escalating global conflicts, I remembered the words of activist and faith leader Valerie Kaur who said, “Seeing no stranger begins in wonder. It is to look upon the face of anyone and choose to say: You are a part of me I do not yet know,” and so their grief, became my grief. Their loss, my loss.

But I needed a reminder to breathe, to balance the fear, the sadness, and the weight of grief, with the privilege of joy.

That joy, came from precious—in person, lest we take it for granted—time with my family, my friends, and my circles of community. In February, I traveled to India to sit with and be with my aunts, uncles, cousins, and my sole remaining grandmother. It was two weeks of unscheduled time for conversation, for gathering, for feeling, and for love.

Images Clockwise: My favorite sandwich shop in Mumbai, a street view in Pondicherry, a sunrise in Pondicherry.

Back in the United States, my immediate family and I gathered in San Francisco, New Jersey, and New York City—culminating in an epic 80th birthday party for my father at the end of the year.

In the spring I spent time with my public history colleagues in Atlanta for the first time since 2019, reinvigorating my mind as well as my soul.

I took road trips to Longwood Gardens and returned to Williamsburg to see old friends as my advisor took a well earned retirement. At home, I attended plays and concerts, visited museums, and had meals with people who reminded me of all the good and kindness that still exists amidst the sorrow.

A glimpse of Beyond the Light at ARTECHOUSE. This installation used images from NASA to create a visual journey through space.

There were intertwined in all of this, personal moments of celebration. I finished my second children’s book From the Stars to the Moona love letter for my niece the emphasized the importance of laughter. I attended my first book fair. I found comfort in watercolor painting, and I wrote 50,000 words for a novel that I hope pushes some promises I made over a year ago forward.

I became, as my friend and I joked, a farmer. As we worked on our community garden plot, I learned the patience and care that comes with stepping away from screens and tending the soil.

These people, these personal joys, were the breath that brought the balance.


It was a year filled with both sadness and laughter. My hope for a 2024 that is filled in equal measure with (the expected) difficulty and sought for light. I know that prioritizing both breath and balance will be necessary to make it through.

Pivot Point

I stand at the center. One foot
Planted firmly on one side of the board,
While the other is raised waiting to shift the scales.
My heart races forward, as I
Lower my leg, bearing down weight,
And we change shape—
From a diagonal to parallel to the ground—
An arc that we hope will come around.
Even as the future feels lost,
Not found.

I stand at the center, still. Both feet
Planted, a triangle that cannot be ignored.
The air that fills my lungs brings clarity,
Even as we stand at the edge of a
Singularity.
A black hole from which reality
Ignores the laws of gravity.
The air that leaves my lungs
Creates uncertainty,
A wobble, a catch—but not all is lost.
I shift and adjust. I lean forward, and then
Breathe in again.

As always below is my list of things I read, experienced, and wrote in 2023.

Priya with friends (and flowers). Clockwise from top left with AY at ARTECHOUSE’s Beyond the Light, with a remarkable group of friends and historians at NCPH’s annual meeting in Atlanta, with my college advisor James P. Whittenburg at his retirement with fellow “Whittenburg History Kids” Melissa and Julia, and a self portrait at Longwood Gardens.

Continue reading “2024: Breath & Balance”

2022. Hello Forty.

Over the last ten years I have shared—on or around January 1st—a vision for my future. These have never been ordinary resolutions. Instead I wrote mantras, hopes, and wishes for what I want my life to stand for, what I want it to mean. More often than not I talked about taking risks and leaps, harnessing optimism, searching for kindness, and in some of our tougher years, encouraged myself to dig deep for a well of defiance.

Earlier this week, as I continued to think about how to approach this piece, I saw a suggestion (by an old high school friend) to not look to resolutions, but rather to make a list of things you were proud of in 2021. So here’s my list:

Glittering poles with flowers and greeneries and shoes as witnesses to lives lost.
“Come, Take a Moment” is an installation by Devon Shimoyama meant to encourage visitors to the Arts and Industries Building’s exhibition called The FUTURES to pause and reflect on the “tumult and tragedy brought on by racial violence and the COVID-19 pandemic.”

We all know it wasn’t an easy year, but unlike 2020 it had moments of brightness made possible by the COVID-19 vaccine. I know taking a vaccine is an odd thing to list as an accomplishment, but when belief in our ability as humans to take care of each other feels like a challenge, taking the three shots in 2021 felt like something I could do not only for myself, but for others. More selfishly, taking the vaccine allowed me to hug family, and friends, and to fly across the country to meet my new nephew just days after he was born.

Continue reading “2022. Hello Forty.”

Fifteen.

Five years ago I wrote about a fairly naïve, 23 year old who started her first post-grad school job thankful to be working professionally as a historian. I was grateful for colleagues, mentors, and an organization that enabled me to grow with time.

On August 14, I am marking not only 15 years at the National Trust for Historic Preservation, but also 15 years as a public historian. In the intervening years, a lot has changed—teams, expectations, job roles, and the organization itself—and I find myself reflecting on how those changes have changed me.

When your parents move out of their house of 30+ years you find the weirdest things at the perfect time. I started my new job seven days before my birthday. What a lovely welcome.

Consider the words at the start of this piece: Thankful. Grateful. Two words that I have been hearing a lot about, at a time when the intersecting and overlapping nature of work has shifted due to a virus that fundamentally altered how we see our lives. For many, this past year revealed that organizations and companies do not owe their employees anything. Whatever loyalty and commitment we have, it may not be reciprocated—an attitude I commiserate with—particularly in light of the series of layoffs within the museum and history field due to the pandemic.

Five years ago, I wrote about how important it was for me to be working in a field that I love—that if most of my life was spent at an office, I would rather work with passion, than with indifference.

Continue reading “Fifteen.”

Journey to the Past: Timeless & the History Film Forum

Many fans of fantasy and sci-fi fall into two different camps: those who love time travel and those who don’t. For those who love it, suspension of belief is sufficient to get through the paradoxes that these narratives develop over time. The inverse is true for those who abhor stories that change the past, because repercussions from the butterfly effect leads to stories that are convoluted and messy.

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I thought about this the other day when watching Rogue One, last year’s Star Wars movie about a group of rebels plotting to retrieve the plans for the first Death Star.  While thrilling in its own right it is only through the final minutes (the final, last ditch, effort to escape Darth Vader) where we see the connective tissue between this film and 1977’s A New Hope.

In some ways it feels like a historical document. A primary source that fills in a missing piece — why everyone fears Darth Vader, just how desperate Princess Leia was to get the plans away from her ship, the absolute critical nature of C3PO and R2D2’s mission. It puts things into perspective and provides insight into a story that captured my imagination for the past twenty years. Continue reading “Journey to the Past: Timeless & the History Film Forum”

Hamilton: One Last Time

I had intended for this to go up in the waning days of last year but found myself wanting to spend my vacation away from my computer rather than in front of it. So here we are, with some final thoughts on the other side of the new year.

A final post, one last time, on Hamilton: An American Musical.

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This piece will mark my sixth and final blog post on my unabashed love for this genius historical musical. I swear.

In a lot of ways, this year has been the year of Hamilton for me. On some level it allowed some respite from the real world, while opening the floodgates on an already complex conversation about art, diversity, and our American past.

In 2016 I have been privileged to see the show on Broadway and like so many others devoured the Hamilton Mixtape, finished the Hamilton: The Revolution (henceforth the Hamiltome, the book about the making of the musical – with annotations!), and watched Hamilton’s America – the incredible PBS documentary that put the musical in its historical context. Continue reading “Hamilton: One Last Time”

Summer in October: Photos from Colorado

Inside Louis Dupuy's kitchen. A view down at the (not original) stove.
Inside Louis Dupuy’s kitchen. A view down at the (not original) stove.

Who says you can’t write about summer vacations in October? At the end of July I traveled to Colorado Springs for an epic family reunion. Naturally I couldn’t make a trip to a different state and not play tourist for a little while. I wrote about one part of my trip, a visit to Hotel de Paris in Georgetown for Saving Places.  The piece, which I had a lot of fun writing, is about the hotel’s proprietor, Louis Dupuy, a man who was a fugitive, journalist, and an infamous chef.

In addition to Georgetown I also spent a few hours in Denver, checking out the state capitol, the Emerson School (home of the National Trust Denver Field Office), and the Molly Brown House. The latter site is pretty great, mostly because it does what most historic houses do, but flips the perspective, telling us about Molly Brown’s legacy rather than just the male inhabitants. Continue reading “Summer in October: Photos from Colorado”

Ten.

August 14, 2006. This story begins in a stately building on the corner of 18th and Massachusetts in Dupont Circle. On this particular humid day, typical of a Washington August, a young twenty-three year old woman walked into her first day at the National Trust for Historic Preservation. While the specifics of her emotions are lost to time, they are likely tinged with a combination of relief (she has a job!) and excitement (she has a job in her field!).

That was then. This is now.

I have always been a big believer in loving what you do.  Every day we get out of bed and head to a workplace to spend a third of our weekly waking hours as means to support ourselves. In these hours we have a choice – to let our work become rote, a black hole of time filled with disengagement, or to find work that stimulates our mind, bringing passion and joy along for the ride. It is a luxury, perhaps, but something that I feel is essential.

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Continue reading “Ten.”

Raise/Raze at the Dupont Underground

A few weeks ago I wrote two separate pieces on a unique art installation at the Dupont Underground in Washington, DC.  The exhibit took the plastic balls from National Building Museum’s “Beach” exhibition and turned it into an interactive work that looked at the building and re-building of structures.

Raise/Raze at the Dupont Underground.
Raise/Raze at the Dupont Underground.

Continue reading “Raise/Raze at the Dupont Underground”

1785 Forever

1785Does preserving old places–and the memories they represent–matter? Do the individual and collective memories embodied in old places help people have better lives?

Tom Mayes, a colleague of mine who is spending six months in Rome as a recipient of the 2013 Rome Prize, asks these questions in his latest post investigating “Why Old Places Matter.”

As I’ve read his series it has brought back my own thoughts on memory and memorializing–where stone structures on a battlefield or ever-living trees bear witness to the past. At this intersection of memory-place-monument these objects of remembrance serve as a physical manifestation and encapsulation of a collective connection to the past.

Old places provide a tangible reminder that something happened–that humans stood in this exact spot and did something. That we interacted, enacted change, or fought for a cause.

They are questions that I am also thinking about as I prepare for my last day at 1785 Massachusetts Avenue, the soon to be former headquarters of the National Trust for Historic Preservation.
Continue reading “1785 Forever”

What We Really Do: Changing Perceptions

Preservationists say “no.”
House Museums are “behind the velvet ropes.”
Historians live within an “ivory tower.”

Does this sound familiar?

Historians serve as stewards of the past, disseminating history to a variety of different publics. However, segments of that public view historians and preservationists as obstacles–individuals who set up barriers, keep research confined within the academy, or prevent progress. Despite our efforts, this is how they perceive the work of history professionals.  Of course, those of us who work in the field know that history professionals are working to broaden outreach in museums (albeit with increasingly limited budgets), to spread literature and research, and to present a more open and accessible past by saving places across the country.

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Credit: Peabody’s Lament

This past week I staffed the National Preservation Conference in Indianapolis. While I didn’t get a chance to fully attend sessions, I observed a discipline actively working to remove barriers. Sessions sought to think past restrictions and standards and focused on aligning the needs of preservationists with the needs of community.

Continue reading “What We Really Do: Changing Perceptions”