This is, in part, a story about my own fight to see.
My own blindness.
Just under eighteen years ago, as a junior in college, I struggled to keep my eyes open in class. It is a vivid memory, with the realization that something wasn’t right during a small seminar on Early America with Dr. James Horn. We were in Blair Hall at the College of William and Mary—one of my favorite places in the world—where I often sat perpendicular to the glorious golden sunlight streaming past the projector screen into my eyeline. At the time I thought it was due to a lack of sleep, but after few weeks of going to bed early, and covering my eyes in windowless rooms, I realized I had actually developed an intense sensitivity to light.
Doctor after doctor thought I had a corneal ulcer, or an aggressive form of a common eye virus, but one weekend, as a friend and I drove from Virginia to State College, Pennsylvania, that ulcer turned into a very visible, very painful, white ring around my cornea.
Have you ever tried to watch Lara Croft: Tomb Raider in a movie theatre while having stabbing eye pain? I have. And by the end of the weekend, I felt as if I was staring into a white fog. I felt unmoored and terrified. An experience I never want to replicate again.
Over the course of ten months, from March to December 2020, I walked almost 152 miles listening to podcasts, audio dramas, and 15 books about a female detective named Maisie Dobbs. This series, about a former nurse turned psychologist and investigator who solves crime, is set against the backdrop of post-War (and eventually the start of World War II) England. Through her cases, we learn about repercussions from World War I, the 1918 flu epidemic, social unrest, anti-refugee sentiment, and as Dobbs becomes more involved with British Secret Service, the growing threat of the Nazi regime.
As I walked at sunrise, sunset, lunchtime breaks, and post work wind-downs I couldn’t help feel, as time slowly slipped by, the looming disaster to come. I knew it wasn’t only of the fictional (yet historical) world created by Jacqueline Winspear, but also the constant hum of chaos that was 2020.
There are no real positive things to say about this past year. In a lot of ways our fault lines and the cracks in our civic society have been laid bare for all to see. There was so much death and pain, that I often struggled to find a silver lining.
When I started this piece many months ago I intended to write about the ways in which technology and multi-disciplinary storytelling has changed the way we engage with our senses. The plan was to look at two, equally compelling, modes of storytelling about a single event in history, and tease apart the ways in which each were constructed to build meaning and connection.
For the past eight months we have talked a lot about self-care, a state of being where we look inward to center ourselves, to focus on our own mental health in order to make it to the next day, and the next, and the next. We read romance novels, and binge re-watched all of New Girl. We learned to bake bread, and more recently began the easy process of mocking holiday movies on Cable TV. We gave ourselves leeway to not be productive, to deal with our emotions, our fear, and the uncertainty.
And amidst all that self-care we’ve realized—well most of us at least—that we need to be more aware of what is happening beyond ourselves. That in a lot of ways what America is, and what we will become, depends on that single choice. To care more.
We have all been changed by this year, and we cannot go forward without acknowledging that a single election, for good or ill, will not fix what is broken. While we wait with baited breadth for the results that will begin to roll in on November 3, the real challenge, no matter the result, comes after: the next day, and the next, and the next.
Twenty-Twenty has been a year of forgotten dreams and lost intentions. A year of stasis, and moments of deep grief in wells of unexpected sadness.
This weekend we lost an incredible leader. While I won’t hold her up as a paragon of perfection, Ruth Bader Ginsberg stood at the vanguard of fights to provide women in this country more agency and autonomy then they had ever had before. However, it is so hard to talk about the importance of her work, without acknowledging how her life was, for many, a tenuous thread holding a web of wavering hopes together.
If there is one thing I’ve tried to cling to in this hellscape of year, it is that glass-half-full perception that I define my life by. And as frustrated as I have become with the world, and my personal circumstances, I am searching, constantly, for beacons to offset the fear.
This was a year where I saw the endless sky above Montana, smelled the ravages of fire in California, and stood at the edge of the fantastic, sensing and savoring the sublime magnificence of edges along the Grand Canyon.
I wish I had a great excuse. A reason why this post (that no one is really looking for but me) is only going up today.
There are a lot of good reasons to put the blame on. On being too busy. On the state of the world. On the unexpected. On letting fear of change effect the way I feel, think, act. On a surprising lack of will power. On procrastination. On having nothing to say.
Now, therefore, by virtue of the authority vested in me as President of the United States, and Commander in Chief of the Army and Navy, I hereby authorize and direct the Secretary of War, and the Military Commanders whom he may from time to time designate, whenever he or any designated Commander deems such action necessary or desirable, to prescribe military areas in such places and of such extent as he or the appropriate Military Commander may determine, from which any or all persons may be excluded, and with respect to which, the right of any person to enter, remain in, or leave shall be subject to whatever restrictions the Secretary of War or the appropriate Military Commander may impose in his discretion. – Excerpt from Executive Order 9066. Signed February 19, 1942 by President Franklin Delano Roosevelt.
When I was in graduate school I was assigned Only What We Could Carry for a course on visual and material culture. This text used objects, poetry, photography, and art to reveal the wide ranging experiences of Japanese Americans (and permanent residents) that were forced, seventy-five years ago, from their homes into internment camps.
One of the first artifacts photographed is an evacuation tag. At first glance looks like a label you would place on an inanimate object with basic reference information. For the evacuees forced to leave their homes, this tag removed identities paring individuals down to a name, family number, and a time and a place to report. Continue reading “75 Years Later: Allegiance and Executive Order 9066”→
I am afraid. Folded in by the weight of postcards and calls links and 140 characters. Always thinking about the invisible scales of equality between the unborn, the refugee, the immigrant, and those not living in privilege.
I am certain that I have fingers toes, a heart with blood pumping slowly through my veins — as do you, and them, and us, but those that lead find different ways to say You Don’t Belong.
I question my ability my strength for this test. Yet I know that one cannot expect miracles And God cannot do all the work
And so —
Although I am afraid, I am certain. Although I question, I am ready. I can be brave. I must be brave. I will be brave.
Whenever I begin writing my annual New Year’s post I take a look at what I wrote the year before. Here is what I said in January 2016: