Perspective and Perception in 2025

I spent the last three weeks of 2024 in two different countries, far away from the place that I call home. When I returned it was evident that after a year of cultivating the tools of breath and balance there was one more thing I needed to carry in my toolbox—a sense of perspective. 

A view from the Radhanagar Beach on Havelock Island one of the Andaman and Nicobar Islands in India. (December 2024).

For many of us this past year was filled with incredible highs and devastating lows. I had some successes in my professional life that included launching the initial version of a Google Arts & Culture project focused on America’s Chinatowns, the publication of a review essay in The Public Historian, and the completion of term on the National Council on Public History board.  

A wooded area on Havelock Island adjacent to the Radhanagar Beach, view of the Chidiya Tapu Beach, and Me posing on Havelock Island.

On the personal side I watched ten people I care about bring new life into the world, filling my feeds and text chains with photographs of tiny humans. I took my nieces to our first movie together, spent some time with my new hobby of water coloring by painting with my nephew, and found ways to spend quality moments with my friends and family as we gardened, danced at weddings, and experienced new live music. I also built some muscles (IYKYK) while experiencing the wonder of a partial eclipse and the Northern Lights.

But then there were the lows. In the spring I said goodbye to my grandmother, a woman who had prophesied this very moment (with a twinkle in her eye) as I hugged her at the end of my 2023 visit. While small in comparison to the very real horrors facing communities across the globe, it felt like losing a piece of the sun. This deeply personal loss came into stark relief when I walked into her apartment nearly seven months later and saw the empty swing and balcony where she used to sit.

View of the Northern Lights (Left) and the Partial Solar Eclipse (Right) in Northern Virginia.


Then there was November, and the slowly growing dread for our future. 

Throughout it all I looked for practices that would help me recenter and refocus on what I was capable of doing against the sadness and frustration. I finally attended a Daybreaker event at the Kennedy Center, I got into a rhythm with exercise, I bought myself some fidget rocks after hearing and meditating with the incredible Seema Reza at a Creative Mornings. I looked for light where there was darkness, and found it in friendship and family but also in the quiet of the morning before the expectations of the world creeped in.

Four stones in line with different meanings to calm the holder down.
Left to Right: Hematite (grounding, balance), Opalite (healing, joy), Moss Agate (growth, abundance, peace), Red Goldstone (uplifting, confidence).

In the last days of August, a former colleague turned mindfulness guide took me and a group of friends on a walk through the Tregaron Conservancy in Washington, D.C. It is a practice I had wanted to do for a while and it seemed like the perfect way to mark this particular birthday. For about an hour we walked silently through the woods, stopping when prompted to consider the trees, the sounds, the smells.


At one point Susan had us take our hands and hold them up as if they were a picture frame through which to view the trees, asking us to describe what we saw in that small window before we opened it up to see a wider landscape. It was an exercise in perspective, forcing us to discern between what we saw in the narrow view versus a wider lens. To ask on the flip side, what did we miss when consolidating our view to that fixed point? 

In another exercise we closed our eyes for some time closing off one of our senses so we could focus on “seeing” the world through others. At the end of the prescribed period, we open them again examined how our view has changed. What did we see that we did not see before? How has our perception of the world changed?

View of New Orleans in October 2024 when I was there for PastForward 2024. The bridge is lit up in honor of Taylor Swift’s Era’s Tour.


These questions and these practices are the grounding for my intention in 2025. I’m not going to lie to myself. I know things are going to be hard. It is going to be very easy to fall into a world of outrage, panic, and fear. I will worry. These are feelings I will not be able to turn off.

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2024: Breath & Balance

If there is one thing I have learned about myself in 2023, it is this: change takes time. It is easy to tell yourself that you are ready to refocus your life and build an expectation for those shifts to happen overnight. It is just as easy to fall back into old habits and get caught up in the least important things, forgetting to breathe, or to strive for the balance necessary for well-being.

A woman sitting cross legged on the ground looking out over the waters in Acadia
Priya looking out over the waters from Cadillac Mountain at Acadia National Park in August 2023.

Last January, my intention was clear, 2023 was going to be the year of service. I volunteered for the Posse Foundation, I took photographs at an event for 826DC, I stood as a poll greeter for primaries and the general elections, I continued my committee and board service to the National Council on Public History, and I threw myself into the hyperlocal service that comes from being the chair of my building’s activities committee. All were rewarding in their own way, but it became apparent that there was an imbalance, and the volume of expectations I had put on myself was not sustainable.

2023 was also about standing adjacent to grief.

From January to December, I watched friends and family struggle with profound losses of parents, siblings, grandparents, and friends. While I couldn’t always help, I sent them love, acknowledged their sadness, and was present when needed. Then, as the world faced and continues to face escalating global conflicts, I remembered the words of activist and faith leader Valerie Kaur who said, “Seeing no stranger begins in wonder. It is to look upon the face of anyone and choose to say: You are a part of me I do not yet know,” and so their grief, became my grief. Their loss, my loss.

But I needed a reminder to breathe, to balance the fear, the sadness, and the weight of grief, with the privilege of joy.

That joy, came from precious—in person, lest we take it for granted—time with my family, my friends, and my circles of community. In February, I traveled to India to sit with and be with my aunts, uncles, cousins, and my sole remaining grandmother. It was two weeks of unscheduled time for conversation, for gathering, for feeling, and for love.

Images Clockwise: My favorite sandwich shop in Mumbai, a street view in Pondicherry, a sunrise in Pondicherry.

Back in the United States, my immediate family and I gathered in San Francisco, New Jersey, and New York City—culminating in an epic 80th birthday party for my father at the end of the year.

In the spring I spent time with my public history colleagues in Atlanta for the first time since 2019, reinvigorating my mind as well as my soul.

I took road trips to Longwood Gardens and returned to Williamsburg to see old friends as my advisor took a well earned retirement. At home, I attended plays and concerts, visited museums, and had meals with people who reminded me of all the good and kindness that still exists amidst the sorrow.

A glimpse of Beyond the Light at ARTECHOUSE. This installation used images from NASA to create a visual journey through space.

There were intertwined in all of this, personal moments of celebration. I finished my second children’s book From the Stars to the Moona love letter for my niece the emphasized the importance of laughter. I attended my first book fair. I found comfort in watercolor painting, and I wrote 50,000 words for a novel that I hope pushes some promises I made over a year ago forward.

I became, as my friend and I joked, a farmer. As we worked on our community garden plot, I learned the patience and care that comes with stepping away from screens and tending the soil.

These people, these personal joys, were the breath that brought the balance.

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In Translation: Adaptation, Connection, and the Heart of a Story

Last year, as I followed discussions about the new film version of Persuasion, I began thinking about how adaptations are really a form of translation. Instead of moving between languages, adaptation brings a story from one form to another.  

For those doing the translating, it can be a fine balance. On one side there are those who love the original source material, who have built a connection to the story, and the heart of the original narrative. On the other hand, going from one medium to another provides opportunities for new considerations, new ways of creating reflections between story and human emotion. 

Sometimes these adaptations can be incredibly successful. Other times they fall flat for the majority of people, resulting in a wave of consternation that feels deeply personal. And yet, these translations can touch people in different ways depending on the medium through which it is being shared. 

For the purpose of this piece we’re going to look at three different types of adaptation, book to television, myth and oral tradition to visual arts, and book to opera. In each case the translation of the original source material gives us something different to examine, often leading to a renewed sense of wonder.

Glass sculpture by Preston Singletary from Raven and the Box of Daylight at the National Museum of American Indian.
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2023: Be in Service. Be Useful. Do Good.

Last year I made a clear choice about how I wanted to approach 2022. I wanted to live. Live without overthinking, live without feeling scared, live without taking a (reasonable) risk.  And so I traveled, I celebrated turning forty, I made some big decisions about what I wanted out of my life going forward. I had some unexpected experiences that forced me to adapt, change, and approach relationships and the status quo in a different way. I wrote 50,000 words for a novel I continue to dream about. And while I wasn’t always successful I realized that it was all right to take the unexpected path to reach my destination.

A view of one of the monasteries at Meteora in Greece. This was not on our original itinerary, but at the last minute we booked a tour with a local tour guide. One of the best decisions we ever made.

However, within all that self-reflection and acceptance, there was one thing missing. When I started working with a coach in January 2022 we talked about what I wanted next for my life. Some of it was talking about what I did not want, while other goals were more specific.

But what was a clear through line on the other side of the equation was a desire to be of service to others. And while I know that as a volunteer board member for the National Council on Public History I serve our members and the field, that work is still, in essence, tied to the way I have shaped my life around my profession.

I want that to change.

Continue reading “2023: Be in Service. Be Useful. Do Good.”

Fly Me to the Moon: Lessons from the Crowd

When I started this piece many months ago I intended to write about the ways in which technology and multi-disciplinary storytelling has changed the way we engage with our senses. The plan was to look at two, equally compelling, modes of storytelling about a single event in history, and tease apart the ways in which each were constructed to build meaning and connection. 

The first of the two experiences was Earthrise, a musical, presented at the Kennedy Center from July 18-August 4, 2019. The second was the National Air and Space Museum’s Apollo 11: Go For the Moon, July 19-21, 2019, which used projection mapping to create a one of a kind experience on the National Mall

In both cases, the audience was central to the experience. The crowds, the people we stood and sat next to, built tension and enhanced the production in unexpected ways. 

But we are now in mid-November, almost a year and half past, and the world is a very different place. 

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2020.

Every January I take a moment to consider the year we left behind with the hopes of taking any lessons and thoughts forward into a clear-eyed vision for how I want to live.

But 2019 was a year of contradiction.

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Just hanging out on the Millennium Falcon next to Darth Vader. No big deal. | Credit: Priya Chhaya

On one hand, I built a track focusing on Celebrating Women’s History at my annual conference, something that included a session that ended up on CSPAN, not to mention a keynote at the glorious Red Rocks Amphitheater in Colorado (see below).  I bought a home. I capped off an almost twenty-three year love of a little space opera by attending Star Wars Celebration in Chicago. I spent time with my amazing, wonderful, caring family with nieces and a nephew that I watch grow with awe.

But it was also a difficult year. Not just because of the state of affairs beyond our control (you know, the world), but also because I was forced to address the balance between realities and my glass-half-full perspective on my daily life. I had to confront my own understanding of what makes me happy and to push myself in a way that was, and continues to be, hard.

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2019. Begin As You Mean to Go On

This was a year where I saw the endless sky above Montana, smelled the ravages of fire in California, and stood at the edge of the fantastic, sensing and savoring the sublime magnificence of edges along the Grand Canyon.

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At the Grand Canyon. April 2018. | Credit: Priya Chhaya

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Art Meets Art: Marking the Infinite

Marking the Infinite
June 7, 2018
The Phillips Collection

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Zoomed in image of Regina Pilawuk Wilson’s Sun Mat (2015). Taken June 2018 by Priya Chhaya

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Art Meets Art: No Spectators

No Spectators
August 8, 2018
Renwick Gallery

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View of one of the installations at No Spectators: The Art of Burning Man at the Renwick Gallery.

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The Revolution Will Not Be Televised: Soul of a Nation at the Tate Modern

There will be no pictures of pigs shooting down
Brothers in the instant replay
There will be no pictures of young being
Run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of
Roy Wilkens strolling through Watts in a red, black and
Green liberation jumpsuit that he had been saving
For just the right occasion
Green Acres, The Beverly Hillbillies, and
Hooterville Junction will no longer be so damned relevant
and Women will not care if Dick finally gets down with
Jane on Search for Tomorrow because Black people
will be in the street looking for a brighter day

The revolution will not be televised

—from The Revolution will not be Televised by Gil Scott-Heron

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Black Unity, Elizabeth Catlett. This wooden sculpture shaped into the hand gesture of the Black Power movement, can be found in Soul of a Nation, an exhibition I attended at the Tate Modern in London. The back of the sculpture is a relief of two faces. You can find it in the section entitled “Figuring Black Power.”

During my travels abroad this summer I tried to keep an eye out for examples of multidisciplinary storytelling. Near the end of my trip I visited the Tate Modern in London and attended an exhibition about art during the Black Power movement. A short review would simply say that Soul of a Nation is stunning, not only because of the way in which the exhibition mixes print, sculpture, and photography to show the visual culture of the movement’s history, but also how artists illustrated emotion and meaning through their work.

Continue reading “The Revolution Will Not Be Televised: Soul of a Nation at the Tate Modern”