Perspective and Perception in 2025

I spent the last three weeks of 2024 in two different countries, far away from the place that I call home. When I returned it was evident that after a year of cultivating the tools of breath and balance there was one more thing I needed to carry in my toolbox—a sense of perspective. 

A view from the Radhanagar Beach on Havelock Island one of the Andaman and Nicobar Islands in India. (December 2024).

For many of us this past year was filled with incredible highs and devastating lows. I had some successes in my professional life that included launching the initial version of a Google Arts & Culture project focused on America’s Chinatowns, the publication of a review essay in The Public Historian, and the completion of term on the National Council on Public History board.  

A wooded area on Havelock Island adjacent to the Radhanagar Beach, view of the Chidiya Tapu Beach, and Me posing on Havelock Island.

On the personal side I watched ten people I care about bring new life into the world, filling my feeds and text chains with photographs of tiny humans. I took my nieces to our first movie together, spent some time with my new hobby of water coloring by painting with my nephew, and found ways to spend quality moments with my friends and family as we gardened, danced at weddings, and experienced new live music. I also built some muscles (IYKYK) while experiencing the wonder of a partial eclipse and the Northern Lights.

But then there were the lows. In the spring I said goodbye to my grandmother, a woman who had prophesied this very moment (with a twinkle in her eye) as I hugged her at the end of my 2023 visit. While small in comparison to the very real horrors facing communities across the globe, it felt like losing a piece of the sun. This deeply personal loss came into stark relief when I walked into her apartment nearly seven months later and saw the empty swing and balcony where she used to sit.

View of the Northern Lights (Left) and the Partial Solar Eclipse (Right) in Northern Virginia.


Then there was November, and the slowly growing dread for our future. 

Throughout it all I looked for practices that would help me recenter and refocus on what I was capable of doing against the sadness and frustration. I finally attended a Daybreaker event at the Kennedy Center, I got into a rhythm with exercise, I bought myself some fidget rocks after hearing and meditating with the incredible Seema Reza at a Creative Mornings. I looked for light where there was darkness, and found it in friendship and family but also in the quiet of the morning before the expectations of the world creeped in.

Four stones in line with different meanings to calm the holder down.
Left to Right: Hematite (grounding, balance), Opalite (healing, joy), Moss Agate (growth, abundance, peace), Red Goldstone (uplifting, confidence).

In the last days of August, a former colleague turned mindfulness guide took me and a group of friends on a walk through the Tregaron Conservancy in Washington, D.C. It is a practice I had wanted to do for a while and it seemed like the perfect way to mark this particular birthday. For about an hour we walked silently through the woods, stopping when prompted to consider the trees, the sounds, the smells.


At one point Susan had us take our hands and hold them up as if they were a picture frame through which to view the trees, asking us to describe what we saw in that small window before we opened it up to see a wider landscape. It was an exercise in perspective, forcing us to discern between what we saw in the narrow view versus a wider lens. To ask on the flip side, what did we miss when consolidating our view to that fixed point? 

In another exercise we closed our eyes for some time closing off one of our senses so we could focus on “seeing” the world through others. At the end of the prescribed period, we open them again examined how our view has changed. What did we see that we did not see before? How has our perception of the world changed?

View of New Orleans in October 2024 when I was there for PastForward 2024. The bridge is lit up in honor of Taylor Swift’s Era’s Tour.


These questions and these practices are the grounding for my intention in 2025. I’m not going to lie to myself. I know things are going to be hard. It is going to be very easy to fall into a world of outrage, panic, and fear. I will worry. These are feelings I will not be able to turn off.

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Home is an Ever-Fixed Mark

In August I said goodbye to my childhood home. 

I say my, as if I was the only one staying there, but these are mostly my recollections tripping over one another in order to be shared. 

My first memory is of us girls, ages 4-7-10 running up the carpeted stairs and staring in wonder at the double sink in the master bathroom. When we arrived, it was a new house with my older sister getting a room for the first time, while Trisha and I embraced the bunk bed (though we all really cuddled together at the bottom bunk saying our prayers while holding each other’s ears for comfort). But bit-by-bit we transformed the house as we transformed ourselves.

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Living with Intention in 2021

Over the course of ten months, from March to December 2020, I walked almost 152 miles listening to podcasts, audio dramas, and 15 books about a female detective named Maisie Dobbs. This series, about a former nurse turned psychologist and investigator who solves crime, is set against the backdrop of post-War (and eventually the start of World War II) England. Through her cases, we learn about repercussions from World War I, the 1918 flu epidemic, social unrest, anti-refugee sentiment, and as Dobbs becomes more involved with British Secret Service, the growing threat of the Nazi regime.

View of woods in Virginia.
A view from a hidden wood near my home. For so many nature brought a level of peace in the madness.

As I walked at sunrise, sunset, lunchtime breaks, and post work wind-downs I couldn’t help feel, as time slowly slipped by, the looming disaster to come. I knew it wasn’t only of the fictional (yet historical) world created by Jacqueline Winspear, but also the constant hum of chaos that was 2020.

There are no real positive things to say about this past year. In a lot of ways our fault lines and the cracks in our civic society have been laid bare for all to see. There was so much death and pain, that I often struggled to find a silver lining.

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Art Meets Art: Marking the Infinite

Marking the Infinite
June 7, 2018
The Phillips Collection

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Zoomed in image of Regina Pilawuk Wilson’s Sun Mat (2015). Taken June 2018 by Priya Chhaya

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Art Meets Art: No Spectators

No Spectators
August 8, 2018
Renwick Gallery

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View of one of the installations at No Spectators: The Art of Burning Man at the Renwick Gallery.

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Art Meets Art: Wait Wait… Don’t Tell Me

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At the entrance to Wolf Trap National Park for the Performing Arts is a blackboard that allows visitors to write down their innermost thoughts about the upcoming performance. Here was mine.

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Art Meets Art: Black Violin

Black Violin with the National Symphony Orchestra
April 5, 2018
The Kennedy Center

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Creative Collaboration: We are all the same

This morning I introduced one of my nieces, a ten year old, to the horrors of the Holocaust for the first time.  During a planned trip to the United States Holocaust Memorial Museum we walked through Daniel’s Story – the exhibit directed toward children – and the Hall of Remembrance. When she didn’t feel comfortable going through the permanent exhibition with her parents, the two of us wandered around the National Mall talking about what she learned.

It was an important conversation for me and for her, and while I tread carefully on what details to share much of our talk centered around how Hitler intentionally separated people based on religion and other characteristics he felt were deviant (making a side connection to Harry Potter and Voldemort’s obsession with purebloods). Our conclusion was how ridiculous that assumption is because we are all, in the end, human beings.

This month’s Creative Collaboration looks at an image from S.Fell. Taken at the Baltimore Light City exhibition the image reflects the conversation from this morning. We are in the end all the same.

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